Interview with Festival Director Paola Melli (SOUTH SOCIAL FILM FESTIVAL)

South Social Film Festival is a trans-geographical, multicultural and multidimensional festival celebrating independent cinema, dance, world music, art and regional cuisine, launched in 2015 in London.

https://www.instagram.com/southsocialfilmfest/

Matthew Toffolo: What is your Film Festival succeeding at doing for filmmakers?

Paola Melli: Creating a platform where they can express and promote themselves.

2) What would you expect to experience if you attend your upcoming festival?

Networking with professionals, a good selection of up and coming filmmakers , discovering talents and culture.

3) What are the qualifications for the selected films?

New and original content, young filmmakers that need to be boosted.

4) Do you think that some films really don’t get a fair shake from film festivals? And if so, why?

Short films unless they go to a short film festival, don’t get enough exposure. A balanced mix of feature films and shorts could be a winning strategy.

5) What motivates you and your team to do this festival?

Passion about diversity, different cultures, innovative kind of filmmaking, discovery of new talents.

6) How has your FilmFreeway submission process been?

It’s been good and helpful, it really put us on the international map.

7) Where do you see the festival by 2023?

Maybe a franchising in different countries.

8) What film have you seen the most times in your life?

Wings of desire by Wim Wenders

9) In one sentence, what makes a great film?

Being symbolic, mesmerising, unique and representing a life changing experience.

10) How is the film scene in your city?

Thriving, lots of diversity and talent that sadly is not widely seen.

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Interview with Festival Producers Christine Cannavo & Eafat Newton (WOMEN IN COMEDY FESTIVAL)

Women in Comedy Festival is thrilled to partner with HBO, NBC and Showtime’s Frankie Shaw to work towards closing the gender gap in the film and television industry. The festival will feature original comedic content created by filmmakers and screenwriters from all over the world.

February 2019 Film Festival Interviews

Best of the new festival interviews for Feb. 2019. And what they link about FilmFreeway:

Interview with Operations Manager Auregan (Paris Art and Movie Awards PAMA)
https://festivalreviews.org/2019/02/08/interview-with-operations-manager-auregan-paris-art-and-movie-awards-pama/

Amazing : Off to the biggest start we had since the creation of the festival. It’s like people were somehow expecting us to accept entries and… Here we are !

Interview with Festival Director Brent Kado (Chicago Independent Film +TV Festival)
https://festivalreviews.org/2019/02/08/interview-with-festival-director-brent-kado-chicago-independent-film-tv-festival/

Good overall. The main issues with them is, again, this gluttony of festivals and awards “contests” and needing to do better weeding out the scams and misleading events.

Interview with the Festival team of FILMSAAZ
https://festivalreviews.org/2019/02/08/interview-with-the-festival-team-of-filmsaaz/

A great service. Have done wonders for us.

Interview with Festival Director Anastasia Cazabon (GRRL HAUS CINEMA)

https://festivalreviews.org/2019/01/18/interview-with-festival-director-anastasia-cazabon-grrl-haus-cinema/

The FilmFreeway process as been great. It’s a really great platform to view films and super user friendly.

Interview with Festival Director Brent Kado (Chicago Independent Film +TV Festival)

The Chicago Independent Film and TV Festival supports international and national filmmakers and showcase strong independent work in the city of Chicago.

CIFF fills the overdue need for a quality international independent film festival in Chicago. Ran by filmmakers with a recognized and notable track record, CIFF not only brings quality projects to Chicago but partners with reputable, knowledgeable local film and arts groups. We will use an inside-out approach to championing local creators. After having worked in both Chicago and Los Angeles for nine years we understand the realities of film and video in Chicago and the bulk of the opportunities outside of the region. We see the need to educate and champion local production opportunities but also the actuality of the current industry.

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Matthew Toffolo: What is your Film Festival succeeding at doing for filmmakers?

Brent Kado: We are connecting them with strong opportunities to success both in Chicago and in LA. We’re happy to be working in both cities and love connecting the two filmmaking communities together.

2) What would you expect to experience if you attend your upcoming festival?

We are doing many co-events with our sister festival Chicago Comedy Film Festival. Between the two festivals we will have over 300 filmmakers, actors, agents and producers in attendance. So it is a great way to network. Obviously you’ll see amazing premieres of films and enjoy talking with those involved in each project.

3) What are the qualifications for the selected films?

Chicago premiere and not online or distributed.

4) Do you think that some films really don’t get a fair shake from film festivals? And if so, why?

Not really. There is a gluttony of film festivals right now. So many little towns have them, 100s in LA, so I feel you can get in somewhere. But the really difference maker is getting into the top tier fests.

5) What motivates you and your team to do this festival?

We are filmmakers who understand the festival circuit. We’ve had our own successes (and failures). Our team understands the work and love for independent filmmaking. We’ve also seen a lag in good advise, education and credibility in Chicago’s scene and really try hard to inform and promote our filmmakers to the larger industry in Chicago and LA.

6) How has your FilmFreeway submission process been?

Good overall. The main issues with them is, again, this gluttony of festivals and awards “contests” and needing to do better weeding out the scams and misleading events.

7) Where do you see the festival by 2023?

With Chicago Comedy Film Festival we’ve seen growth happen in areas I never would have thought. Things happened organically and I expect the same for CIFF. I hope we grow as needed and continue to work with Chicago Comedy Film Festival on creating content and having educational initiatives that make a difference.

8) What film have you seen the most times in your life?

Besides my own, Friday and Gimme Shelter

9) In one sentence, what makes a great film?

Belief.

10) How is the film scene in your city?

Chicago is a great place to create. Cheap, lots of resources and supportive. It’s also a great city to consume art, including film.

 

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Interview with the Festival team of FILMSAAZ

Filmsaaz is an annual celebrated international Film Festival organised by the University Film Club of Aligarh Muslim University (AMU). The festival is one of the largest multi-disciplinary art and cultural festivals in India dedicated to the exhibition of short film, documentaries, music, art and cultural advocacy programs. This 4 days festival hosts the screening of upto 50 differently categorised movies and on the eve of 4th day holds an award fiesta. Thus asserting a down shift in the isolophiliac nature of today’s mind, by uniting them to crave for such hearty gathering.

A legacy of 11 long years, and enormous heart warming memories to cherish with, Filmsaaz has witnessed the presence eminent Indian Cenematic intelligentsia. The 12th edition is all set to deliver, an awe inspiring selection of movies from across the globe. For the past 11 years, Filmsaaz has been one of the ideal events in Aligarh achieving new milestone with every passing year.

Contact

 
Matthew Toffolo: How did you get involved with the festival?

FILMSAAZ: For the aspiring filmmakers, who submit their work at our festival. We specially screen their work at our Kennedy Auditorium, built in our University. With a seating of over 12,000, the work of these Filmmakers is spread all over the city. Moreover, at the last day of our event. We hold a special felicitation ceremony for the films that has been adjudged as the winner in different categories. In the felicitation, the filmmakers are awarded an exclusive FILMSAAZ trophy along with a certificate specially given by our chief guest which is usually a renowned personality from Bollywood.

2) What are the qualifications for the selected films?

FILMSAAZ has always been a festival of movie and drama. Filmy vibes can be felt throughout the 4-day event. From film screenings to photo booths. From musical evenings to eye-catchy decorations. These is nothing that won’t make you stay for a while longer.

3) Do you think that some films really don’t get a fair shake from film festivals? And if so, why?

No, we never think that. All the deserving movies gets a fair chance in competing in the competition. That’s the only reason we’re now getting some good and meaningful movies at international level

4) Where do you see the festival by 2023?

In the next 5 years, we definitely see our event as one the prominent Film Festivals around the world. Like the number of International stuff we’re getting. We’ll soon might have more number of International movies competing at our festival than the national ones.

5) What film have you seen the most times in your life?

6) In one sentence, what makes a great film?

A great script and team makes a great movie.

7) How is the film scene in your city?

We didn’t had much support for filmmaking in our city. But for the past 4-5 years, alot number of great and enthusiastic filmmakers are coming up with some great content.

8) What are the qualities a programmer needs to select the best films for a festival?

Well, since we all know. Nothing in this world comes easily. We’ve been on a rollercoaster ride everytime. Sometimes, we do get a lot of movie and sometimes, we don’t. But thanks to filmfreeway for making us a lot easier to reach some great filmmakers around the globe. Now, we just need to register our festival and all the other work is done by them.

9) How has your FilmFreeway experience been so far?

A great service. Have done wonders for us.

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Interview with Festival Director Anastasia Cazabon (GRRL HAUS CINEMA)

 GRRL HAUS CINEMA is an ongoing program of short films and video art made by women. A mix of local, national, and international artists present work from a variety of disciplines: narrative, documentary, experimental, and conceptual. With an emphasis on low budget and DIY, GRRL HAUS is a space for underrepresented voices in the arts today.

https://www.grrlhauscinema.com

https://www.facebook.com/GRRLHAUSCINEMA

https://www.instagram.com/grrlhauscinema/

https://filmfreeway.com/GRRLHAUSCINEMA

Matthew Toffolo: What is your Film Festival succeeding at doing for filmmakers?

Anastasia Cazabon: GRRL HAUS CINEMA began as a way to showcase short films and video art by women directors. We show films by emerging filmmakers, many who have just started their journey into filmmaking.

2) What would you expect to experience if you attend your upcoming festival?

We put on multiple events throughout the year. We have screenings every other month at IL KINO Berlin. End of the year screenings at The Brattle theatre in Cambridge MA, USA. And then many other screenings dispersed through the year. Some past venues include, The Institute of Contemporary Art Boston, Alamo Drafthouse Yonkers, WORM Rotterdam, Oblomov Kreuzkolln, Loophole Berlin and Dorchester Art Project.

Some events are more traditional movie-going events in cinemas, and others are in DIY spaces. We have had events that have included art exhibitions, bands, vendors, performance art, dancers and DJ’s.

So every event is different, but they all have a common theme in celebrating women filmmakers and artists.

3) What are the qualifications for the selected films?

The qualifications is that the film must have been directed by a women (female identifying) . And the film must be less than 30 min.

We try to select films without distribution and lower budget.

4) Do you think that some films really don’t get a fair shake from film festivals? And if so, why?

I think it’s pretty hard for many low budget films to compete with higher budget and distributed films. Which is unfortunate because lower budget doesn’t mean lower quality – this is one of the reasons that GRRL HAUS exists, to give an audience to these amazing films.

5) What motivates you and your team to do this festival?

GRRL HAUS events are really fun to put on, and seeing the filmmakers at the events is a great experience. Many of the filmmakers we feature are just starting out and have never shown their films to a public audience, so giving them this opportunity really motivates us.

6) How has your FilmFreeway submission process been?

The FilmFreeway process as been great. It’s a really great platform to view films and super user friendly.

7) Where do you see the festival by 2023?

I see the festival expanding to different locations and growing as a community of filmmakers.

In Berlin, we have recently began short-term residencies for filmmakers. Where we will be showcasing 2-3 international filmmakers at a time, with three opportunities for public screenings.

So I hope to continue with different events and ways of giving female filmmakers a platform.

8) What film have you seen the most times in your life?

That’s really hard to say- I’ve watched a lot of movies, and I re-watch a lot of movies. Let’s say Mulholland Drive, Daisies, Vertigo and Dazed and Confused.

9) In one sentence, what makes a great film?

When every element involved – cinematography, screenplay, sound, acting, editing, etc- comes together seamlessly, for the same artistic purpose.

10) How is the film scene in your city?

GRRL HAUS is currently located in Berlin. The film and art scene is incredible here and thriving.

 

 

 

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Interview with Festival Director Bill Hass (FORT WORTH INDIE FILM SHOWCASE)

The Fort Worth Indie Film Showcase (FWIFS) is going into it’s sixth year. It started as a small “boutique” showcase, designed to service local and regional filmmakers. The festival quickly grew in popularity and is now an international festival servicing filmmakers around the globe. The first year, it screened about 40 films, and they struggled to find those. In 2018, they screened around 120 films over the course of three days. They are a multi-genre fest. They screen features and shorts on a variety of topics. In their fourth year, they relocated to Sundance Square, in the heart of downtown Fort Worth. They typically present the festival in the third week of July. The dates for 2019 are July 18-20, and we are currently open for submissions.

Contact

Matthew Toffolo: What is your Film Festival succeeding at doing for filmmakers?

Bill Hass: What we do successfully is provide a platform to grow. We are going into our sixth year and we have some filmmakers that have participated with us from the beginning. It is encouraging to see the quality of films improve over time. We take a family approach to our event. Once you participate, you’re one of us. With that we do all we can to help filmmakers grow their networks. We make them aware of other festivals, we make introductions to other filmmakers in attendance, and we set up panels and discussions to speak on specific areas of the craft.

2) What will attendees experience when they attend your upcoming festival?

We do everything we can to put a spotlight on the filmmaker. FWIFS is about each individual artist. Of course, we will show the films. Beyond that we are looking to expand the experience by offering a full day of panels on various topics. For the screenwriters, we are also looking at an opportunity to have local actors read portions of their scripts before an audience.

3) What are the qualifications for the selected films?

We look for films that tell an interesting story, films that leave you thinking and spark discussions. As a multi-genre fest, we look for and accept a wide variety of projects. We like to present a strong cross-section of films, everything from horror to comedy, and romance to faith based. The element that all of our projects have in common is a tight story, told with interesting characters.

4) Do you think that some films really don’t get a fair shake from film festivals? And if so, why?

The really nice thing about the independent film festival, is that all films are equal. A film that was produced with a zero budget will be considered alongside a film with a six figure budget. Each film is judged on its own merits. At FWIFS, we take every submission seriously. Every other festival I’ve dealt with does the same. That being said, as filmmakers we need to make sure we’re submitting according to the festival rules. In other words, don’t submit a feature drama to a festival that specializes in short comedies. As long as films are submitted within the guidelines of the festival I believe they are fairly considered. I think that is true for all festivals. I know that is true for us.

5) What motivates you and your team to do this festival?

The filmmaker and the audience. Festivals like this are important to new and independent filmmakers because we provide an outlet for them to show their films. For those who attend, they also have an opportunity to engage the audience and receive valuable feedback. It’s great to see filmmakers interacting with the audience and their peers. It’s also very nice to watch and audience enjoy a film that they may not have seen or known about, except for our festival. It’s a really good feeling to know what we had something to do with making that happen. That motivates us to do it the next time.

6) How has your FilmFreeway submission process been?

FilmFreeway has made our submission process really easy. The receipt, review, and acceptance process is really simple. It’s easy for the judges. Of all the platforms we’ve tried so far, FilmFreeway has brought us the most success. Anytime I’ve had a question or a problem, I’ve been able to get help right away. They also consistently improve the platform and add features that increase the value. I am very glad we discovered FilmFreeway.

7) Where do you see the festival by 2023?

In addition to what we’re already doing, by 2023 I’d like to see us offering more workshops and panels. I’d also like to see more blocks that cater to writers and story development. Over the next five years I also want to continue fostering our relationships with schools and student filmmakers. Ideally, we’ll see a level of growth that will enable us to add another day or possibly another venue in addition to our current location.

8) What film have you seen the most times in your life?

The Matrix. I really enjoy the way that story unfolds.

9) In one sentence, what makes a great film?

Well developed characters in a well written story.

10) How is the film scene in your city?

It’s getting better. We have a new film commission that is working to bring filmmaking to Ft. Worth. There are a lot of great locations to shoot, and the Commission is really focused on building a reputation as a Film-Friendly city. Aside from ourselves, there are several other festivals that go up throughout the year, so there is a decent opportunity to catch indie films. I’m looking forward to seeing what develops here over the next few years.
 

About the Festival Director:

Bill Hass is the programming director and one of the founders of FWIFS. Bill is himself an award winning filmmaker, so he and the team present the festival from a filmmakers perspective. Bill’s journey to programming this festival was about thirty years in the making. He started as a stage actor. From there he learned to write, which led to making films. Filmmaking evolved to programming a festival. He’s been programming the festival since it’s inception, and he works to present a strong cross-section of films each year. The focus is on presenting strong character driven stories in all genres. He also looks for opportunities to mentor young filmmakers whenever possible.

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