Movie Review: IRON MAN 3 (2013)

WILDsound Festival's avatarFAN FICTION Film and Writing Festival

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Read Interview with Star Wars Storyboard Artist Kurt Van der Basch

  MOVIE POSTERIRON MAN 3, 2013
Movie Reviews

Director: Shane Black

Stars: Robert Downey Jr., Guy Pearce, Gwyneth Paltrow, Don Cheadle

Review by Matthew Toffolo

REVIEW:

Tony Stark uses his ingenuity to fight those who destroyed his private world and soon goes up against his most powerful enemy yet: the Mandarin. Tony Stark (Robert Downey, Jr.) has literally everything a man could ever want. More money and fame than he knows what to do with, a great girl (Gwyneth Paltrow), an amazing house and even better toys and to top it off when he’s not jetting around the world as a billionaire playboy he’s the superhero Iron Man. But when a crazed terrorist (Ben Kingsley) starts blowing up pieces of the world Tony begins to realize he may be up against the…

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Movie Review: WHERE TO INVADE NEXT. (USA 2015) ***

Deadlines to Submit your Screenplay, Novel, Story, or Poem to the festival: http://www.wildsound.ca

where_to_invade_nextWHERE TO INVADE NEXT. (USA 2015) ***
Directed by Michael Moore

Review by Gilbert Seah

When the title of Michael Moore’s new movie WHERE TO INVADE NEXT. was announced at the Toronto International Film Festival, it was followed by an auditorium of laughter. What would s***-disturber Michael Moore come up next to enrage his new film subject(s)? His then new film was totally hush-hush till it premeired at TIFF. Surprisingly, WHERE TO INVADE NEXT. offends no one. It is a crowd-pleaser with Moore even praising the United States, though only at the film’s very end. Moore must be getting soft in his old age.

The premise is a neat one. Moore travels to different countries, steals the ideas that work and returns with them to the United States. Moore plants the American flag wherever he travels in victory after stealing the ideas, though many countries would gladly have the U.S. adopt them. Italy is first visited first. Th idea of paid vacations, extended holidays and happy workers is the norm of the Italians. In France, it is the wonders of a different public school cafeteria food that makes the difference in healthy kids. Other countries visited include Germany, Portugal, Norway, Iceland and the highly surprising Slovenia and finally Tunisia. It is a fun trip. But the film runs long at close to 2 hours and like any vacation, no matter how entertaining, can grow a bit tiresome.

But what Moore clearly misses out on are the reasons the United States can never follow the ‘stolen’ policies of Moore’s invaded countries. One cannot just take one working concept from one country and implement it into another. Culture, upbringing of the people all come into play. Americans are known to be taught to be individualistic, and one against all, quite unlike for example the asians where, respect for oneself comes last.

Unlike Moore’s other films like ROGER AND ME and BOWLING FOR COLUMBINE in which the subjects were very focussed like GM’s auto factory and gun availablity, this film is scattered and is all over the place like the countries he hops to, one after another. Why did Moore pick most of the countries in Europe, one from Africa and none from Asia? There is also no reason for the order of his countries in terms of the importance of policies.

But Moore captures the film’s idea in one brilliant segment in which he asks a Tunisian woman to give a two-minute advice to the American people. “If you have to minutes of advice to give to the American people, what would it be?” And what she says hits the nail right on the head. This is the common theme tying in all of the film’s ideas of what makes a country work. The film contains many other moving moments like the one in which a Norwegian father of a dead son (the 2011 Norway summer camp massacre) confesses that getting revenge on his son’s killer solves nothing.

Moore’s film is nicely concluded, like a textbook with an ending to please the U.S. Moore says all the success stories from the countries have all originated from ideas in the United States. All the Americans need to do is to follow. But easier said than done. In this way, Moore tries the other way, (compared to using anger as, in his other films) i.e using niceness to get his point across.

The result is a crowd-pleasing, very entertaining film that somehow will have the same difficulty of getting Moore’s point or points implemented. The question is whether audiences like the nastier old Moore or the nicer new Moore.

Also, Free logline submissions. The Writing Festival network averages over 95,000 unique visitors a day.
Great way to get your story out: http://www.wildsound.ca/logline.html

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Watch MOVING LONDON Short Film. Dance/Musical

under5minutefilmfestival's avatarUnder 5 minute & Smartphone festival

Watch the first of the Moving Images series. An amazing dance movie using the urban landscape of the city.

Go to http://www.moving-cities.com/ and learn more about this film and its series.

Watch the Audience FEEDBACK Video:

  MOVIE POSTERMOVING LONDON, Musical/Dancing, 6min, Czech Republic
Directed by Jevan Chowdhury

This short film observes the meeting of 58 dancers and the capital of the UK. Captured over 3 days, Moving London propels art from completely different sources, then packs it back together again.

The LONDON metro, tram stops, and city streets provide a gritty stage for the latest addition to a package of dance films set in major world cities.

It was the first in a series of short films that “capture international dancers in real settings.” Previous film locations include Paris, London, Brussels, and Yerevan (Armenia), with Athens coming soon.

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Interview with Festival Director Anam Abbas (Face International Film Festival)

The Face Film festival is a not for profit, unticketed event aiming at promoting cinema, screening the best of contemporary world cinema and providing a platform for emerging Pakistani filmmakers to screen their work. Last year  was a one day event where we hosted the Pakistani Premiere of the American /Pakistani Documentary feature “Without Shepards” and the world premiere of the film “K2 and the invisible footmen” which proceeded to screen in multiple festivals across the globe.  In our second year, our program so far includes 6 international features, a program of local and international shorts and 3 panel discussions with the industry’s most respected filmmakers.

Matthew Toffolo: What is your Film Festival succeeding at doing for filmmakers?

Anam Abbas: As the only Film Festival in Pakistan’s capital, our venture seeks to support a fledgling film industry and expose audiences and filmmakers to the best in contemporary world cinema as well as allow emerging young filmmakers in pakistan to showcase their work and mingle with the industry.

Matthew: What would you expect to experience if you attend the festival this year (2016)?

Anam: We are screening contemporary features hot off the festival circuit. We have also added three panel discussions to our program. We expect a lot more media attention and a very exciting opportunity for Islamabad to interact with filmmakers from Lahore and Karachi.

Matthew: What are the qualifications for the selected films?

Anam: Films have to be completed after Jan 2014 and appeal to a Pakistani audience. Our criteria is broad because we want a diversity of expression presented at our festival.

Matthew: Do you think that some films really don’t get a fair shake from film festivals? And if so, why?

Anam: The entries received are staggering and competition is always steep. We judge and select by quality of film alone.

Matthew: What motivates you and your team to do this festival?

Anam: We are artists and film-makers ourselves. The love of cinema and desire to start dialogues is why we make films and create a culture of watching films, and especially film that showcase independant voices.

Matthew: How has the festival changed since its inception?

Anam: We are only in our 2nd year and expanding in our scope and our expected audience and impact.

Matthew: Where do you see the festival by 2020?

Anam: By 2020 we hope to be a truly international film festival with a weeklong program, presemting Pakistani feature film Premieres and guests from around the world.

Matthew: What film have you seen the most times in your life?

Anam: Gone with the Wind and Sholay- A classic Hollywood Melodrama and a classic Bollywood blowout.

Matthew: In one sentence, what makes a great film?

Anam: Great films evoke intense emotions!

Matthew: How is the film scene in your city?

Anam: Islamabad is definitely NOT the industry hub. However this allows for the nurturing of a lot of great independent talent that has already made a mark in the industries in lahore and Karachi.

***

Anam Abbas up in Pakistan and studied Cinema at the University of Toronto and Documentary Production at Sheridan College, Canada. She produced three short live action films and two short documentary films in Canada. I am deeply interested in creating platforms for women’s voices and exploring life at the peripheries in Pakistan.

Her documentary short “Lucky Irani Circus” about the children who work in Pakistan’s longest running circus group travelled to 5 film festivals around the world in 2015 including the Toronto International Reel Asian Film Festival.

 

 

 

Interviewer Matthew Toffolo is currently the CEO of the WILDsound FEEDBACK Film & Writing Festival. The festival that showcases 10-20 screenplay and story readings performed by professional actors every month. And the FEEDBACK Monthly Fesival held in downtown Toronto on the last Thursday of every single month. Go to www.wildsound.ca for more information and to submit your work to the festival.

Movie Review: YOU ONLY LIVE TWICE (1967) 5th James Bond Film

actionadventurefestival's avatarAction/Adventure Film & Screenplay Festival

Submit your Action/Adventure Story to the Festival Today: http://actionadventurefestival.com

YOU ONLY LIVE TWICE,  MOVIE POSTERYOU ONLY LIVE TWICE, 1967
Movie Reviews

Directed by Lewis Gilbert
Starring Sean Connery, Akiko Wakabayashi, Mie Hama, Tetsuro Tanba, Donald Pleasence and Bernard Lee.
Review by Jesse Ryder Hughes

SYNOPSIS:

In the midst of the cold war still going on, someone is stealing Russian and American spaceships right out of space. Bond fakes his death to go undercover in Japan, to find a chemical company supplying and hiding illegal rocket fuel. A mysterious island catches Bond’s eye after a young girl is found dead. On the island Bond searches a volcano that is not what it seems. Can Bond stop world War 3 and stop whoever is stealing the spaceships? I have a feeling a good predictable ending ensues.

REVIEW:

Roald Dahl wrote the imaginative script for You Only Live Twice and it is the most imaginative script so far…

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Movie Review: ZOOLANDER (2001) Directed by Ben Stiller

comedyfestival's avatarComedy FESTIVAL

Go to http://festivalforcomedy.com/ and submit your script or film to the festival today.

ZOOLANDER MOVIE POSTERZOOLANDER, 2001
Movie Reviews

Directed by Ben Stiller
Starring: Ben Stiller, Owen Wilson, Christine Taylor, Jerry Stiller, Will Ferrell, Milla Jovovich, Jon Voight, David Duchovny
Review by Trish Koutrodimos

SYNOPSIS:

A moronic male model is brainwashed to kill the Malaysian Prime Minister for outlawing the slave labor that the fashion industry is built on.

REVIEW:

If the Prime Minister of Malaysia wants to stop slave labor and so the fashion industry’s clothes production, what’s a fashionista to do? Well, an international syndicate of fashion designers believes bumping off the old party-pooper’d do it. They force Jacobim Mugatu (Ferrell), a major designer himself, to find a vacuous mind to brainwash to do the job. But where, Mugatu cries, can he find someone that “beef-headed”?!

“Over the past decade male-modeling has had a shadow cast over it by one…

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READ NEW Feature Film Loglines and Movie Pitches

WILDsound Festival's avatarWILDsound Festival

Deadline: FEATURE Screenplay Festival – Get FULL FEEDBACK. Get script performed by professional actors
http://www.wildsound.ca/screenplaycontest.html

Read NEW Feature Film Pitches:

Title: Riddle in Ink
http://www.wildsoundfestival.com/riddle_in_ink_by_tobias_su…

Written by: Tobias Suess

Type: Feature Film

Genre: Adventure

Title: Adam, Eve & Tyrone
http://www.wildsoundfestival.com/adam_eve_and_tyrone_by_how…

Written by: Howard Tubbs

Type: Feature Film

Genre: Sci-Fi

Title: Dilemma
http://www.wildsoundfestival.com/dilemma_by_julieta_massoss…

Written by: Julieta Massossote

Type: Feature Film

Genre: Drama

Title: YATRI
http://www.wildsoundfestival.com/yatri_by_sashen_naicker.ht…

Written by: Sashen Naicker

Type: Feature Film

Genre: Sci-Fi

Title: Revamped Models
http://www.wildsoundfestival.com/revamped_models_by_joseph_…

Written by: Joseph Killeen

Type: Feature Film

Genre: Fantasy, Drama

Title: Elf-FLuenza
http://www.wildsoundfestival.com/elf-fluenza_by_jeffrey_ang…

Written by: Jeffrey Angus

Type: Feature Film

Genre: Family, Comedy

Title: Because I Could Not Stop For Prom
http://www.wildsoundfestival.com/because_i_could_not_stop_f…

Written by: Margaret Admire

Type: Feature Film

Genre: Comedy, Fantasy

Title: Choking Back The Tears
http://www.wildsoundfestival.com/choking_back_the_tears_by_…

Written by: Oren Weitz

Type: Feature Film

Genre: Drama

Title: The Mystic Sea
http://www.wildsoundfestival.com/the_mystic_sea_by_mark_nad…

Written by: Mark Nadratowski

Type: Feature Film

Genre: Adventure, Fantasy

Title:…

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Interview with Special Effects Supervisor Daniel Acon (Zoolander 2, Gangs of New York, Passion of the Christ)

matthewtoffolo's avatarMatthew Toffolo's Summary

A special effects supervisor (also referred to as a special effects coordinator or SFX Supervisor) is an individual who works on a film set creating special effect. The supervisor generally is the department head who defers to the film’s director and/or producers, and who is in charge of the entire special effects team.

What a great pleasure it was to chat with the extremely talented SFX Supervisor Daniel Acon. What talked about his career, being Italian and American, and having the honor of blowing up the orange Lamborghini in Mission Impossible III!

Matthew Toffolo: Explain the process of being a Special Effects Supervisor/Coordinator. You get hired on a film – what happens next? Do you break down the script with the director and/or producer and figure out what effects are needed on a given scene? 

Daniel Acon: The production journey of a SFX supervisor usually starts by being contacted by the…

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Watch Romance Feature Film Table Reading: BROWNIE and FRAN by Arthur S Brown & Rory Leahy

festivalforromance's avatarRomance & Relationships Festival - Submit your screenplay and film and get it showcased at the FEEDBACK Film Festival

Submit your Romance Screenplay Festival: http://festivalforromance.com

BROWNIE and FRAN
Written by Arthur S Brown & Rory Leahy
Read 10 Questions with the writers

SYNOPSIS:

Brooklyn, NY 1948. The cold war is heating up, and mob entrenchment is at its peak. The U.S. is running a victory lap. Returning veterans want their share of the pie, and they’re willing to strike for it. Two young idealists meet, fall in love, and set out to save the world – while not getting corrupted doing it.

CAST LIST:

NARRATOR – Jason Martorino
BROWNIE – Scott Beaudin
FRAN – Meghan Allen
TRAVERS/DAVID – Cole Reid
SHAYGETZ/HOWIE/LOU – Peter Nelson
KAPLAN/BERTHA/PAULINE – Julie Burris
ZELLY – Andrei Preda

Director/Producer: Matthew Toffolo

Casting Director: Sean Ballantyne

Editor: John Johnson

 

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Watch Romance Feature Film Table Reading: THREE PLAY by John-Arthur Ingram

festivalforromance's avatarRomance & Relationships Festival - Submit your screenplay and film and get it showcased at the FEEDBACK Film Festival

Submit your Romance Screenplay Festival: http://festivalforromance.com

THREE PLAY
Written by John-Arthur Ingram
Read 10 Questions with the writer

SYNOPSIS:

Oliver, a neurotic who’s hopelessly in love with his best friend Blake, finally comes out to both his shameless girlfriend, Silvia, and Blake. This revelation backfires when Oliver discovers Silvia and Blake are in madly in love. As a final act of desperation, Oliver magically switches bodies with Silvia days before her wedding to Blake.

CAST LIST:

NARRATOR – Laura Kyswaty
OLIVER – Gabriel Darku
SILVIA – Holly Sarchfield
BLAKE – Chris Reid-Geisler
MAGGIE – Allison Kampf
MARCO – Ben Hur
JOSEPHINE/PARKER – Angelica Alejandro

Director/Producer: Matthew Toffolo

Casting Director: Sean Ballantyne

Editor: John Johnson

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