Happy Birthday: Rhea Perlman

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Rhea Perlman.jpgRhea Perlman

Born: March 31, 1948 in Brooklyn, New York City, New York, USA

Married to: Danny DeVito (28 January 1982 – present) (3 children)

She starred in only one movie, Matilda (1996), with her husband Danny DeVito, where they played Matilda’s parents. However before they were married, Rhea appeared in five episodes of Taxi (1978) as Louie’s girlfriend Zena.

 

 

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Happy Birthday: Richard Chamberlain

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Richard Chamberlain.jpgRichard Chamberlain

Born: March 31, 1934 in Beverly Hills, Los Angeles, California, USA

I suppose everyone tells little white lies. Quite often they’re necessary to make someone feel better or prevent feelings from being hurt. Whoppers? No, that’s dangerous and they’ll boomerang.

Having the focal point of contemporary art right in the middle of Honolulu is an amazing treasure because people are so seldom exposed to that quality of artistic endeavor.

I’m not a romantic leading man anymore so I don’t need to nurture that public image anymore.

I pattern my actions and life after what I want. No two people are alike. You might admire attributes in others, but use these only as a guide in improving yourself in your own unique way. I don’t go for carbon copies. Individualism is sacred!

 

 

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Happy Birthday: Victoria Smurfit

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Victoria Smurfit.jpgVictoria Smurfit

Born: March 31, 1974 in Dublin, Ireland

[on training for Dracula (2013)] I learned to repel down caves, I learned broad swords, birka knives, backflips. I learned boxing, unarmed combat, how to fall off swords. I loved it. Then you get stunts like being naked in a bath with Jonathan Rhys Meyers and a crew of seventy. That’s a different kind of stunt!

 

 

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Happy Birthday: Alejandro Amenábar

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Alejandro Amenábar.jpgAlejandro Amenábar

Born: March 31, 1972 in Santiago de Chile, Chile

[on Vanilla Sky (2001)] I felt very honored and very excited. It’s been weird because watching the same story done with a completely different tone, it was so weird. I remember when I saw the film for the first time, I kept thinking, “Well, I would have done this differently.” But then I realized, “Well, of course, I’ve already done it!” So that’s the point that’s interesting to me. He [Cameron Crowe] really made his film. It’s like the same song with two different voices. That’s what I appreciate about it. Plus the buttload of money.

[on Open Your Eyes (1997)] I started developing the idea in the middle of a fever. I had a cold and spent a few days in bed and it was there that I started developing the idea.

I don’t dream too much, or…

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Happy Birthday: Shirley Jones

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Shirley Jones.jpgShirley Jones

Born: March 31, 1934 in Charleroi, Pennsylvania, USA

Married to:
Marty Ingels (13 November 1977 – 21 October 2015) (his death)
Jack Cassidy (6 August 1956 – 26 May 1975) (divorced) (3 children)

[Of James Garner]: Not only was he a great actor, but he didn’t hit on me. He didn’t have that reputation, like a lot of actors I worked with. He was very married, a family man. And a real straight-on guy.

[on the death of James Garner]: I see this gorgeous man and I said, ‘Oh, my!’
He was very sweet. We went to this little restaurant and I told him, ‘You’re gonna be a giant star.’ He said, ‘How? I’m not sure I know how to act.’

[Discussing about David Cassidy’s lack of contact with her real-life family]: David has not had a relationship with anyone in the family for years. We are sick…

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Happy Birthday: Gabe Kaplan

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Gabe Kaplan.jpgGabe Kaplan

Born: March 31, 1945 in Brooklyn, New York, USA

His experiences as a student in an under-achieving class (like the Sweathogs) in the early 1960s was the basis for Welcome Back, Kotter (1975).

Was a broadcaster for the only outdoor World Series of Poker along with Phil Hellmuth in 1997 on ESPN. The event took place outside of Binion’s in the middle of the Fremont Street Experience.

Working with the original creator of Welcome Back, Kotter (1975) to create a new movie musical. [1998]

 

 

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Happy Birthday: Melissa Ordway

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Melissa Ordway.jpgMelissa Ordway

Born: March 31, 1983 in Atlanta, Georgia, USA

Married to: Justin Gaston (22 September 2012 – present) (1 child)

Is an only child.

(September 22, 2012) Married her boyfriend of a year Justin Gaston.

She and husband Justin Gaston have an adopted daughter named Olivia Christine Gaston, who was born on April 30, 2016.

 

 

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Interview with Festival Director Anthony Michael Hobbs (Imagination Lunchbox International Children’s Film Festival)

 Imagination Lunchbox is a film production company based in Baltimore, Maryland. After screening films at numerous festivals across the country, they realized that there was a need for kid focused films in the Baltimore, Maryland and general area. It seemed only appropriate that a company well-known for kid centered films would be the perfect organization to help fill this need.

Matthew Toffolo: What is your Film Festival succeeding at doing for filmmakers?

Anthony Michael Hobbs: The Imagination Lunchbox International Children’s Film Festival is succeeding at giving a special opportunity for kid filmmakers who don’t get the chance to show their films, by having three categories: FOR kids, BY kids, and STARRING Kids; everything is about the kids!

What would you expect to experience if you attend the festival this year (2017)?

When people come to the film festival this year, they will experience a lot of effort and excitement as we show films by kid filmmakers, but also for ways to make the film festival better. I want everyone to come out and see what we have to offer, and then tell us what they like and what they would want to see next year. I hope that other kid filmmakers hear about us so they know they now have a place that will focus on their films.

What are the qualifications for the selected films?

We are actually still screening, but our selection qualifications are how much we think other kids will enjoy them, and which films will bring a variety to the festival. We want a variety of people, experiences, and even cultures. I’m looking forward to kids in Baltimore enjoying films by kids in Europe, Australia, Brazil, or where ever they come from!

Do you think that some films really don’t get a fair shake from film festivals? And if so, why?

Yes, I think some films don’t get a fair shake at film festivals because films that are by kids are not really taken seriously, and people think they are a joke or that the kids did not put a lot of effort into it, so it doesn’t get into the film festivals. Even some film festivals called children’s film festivals don’t really show films by kids.

What motivates you and your team to do this festival?

I am motivated to do this festival because I have gone to many film festivals before, and I have noticed that there are really no many festivals for kids; and the festivals that do exist don’t really do much for kids. When festivals do have kids categories they don’t show many films and don’t do much for the films because the focus is adults and their films. I have been to a few festivals that do better with this, but the kid films still only get a day or a small block of time. I am having this festival where the focus is the kids to give kid filmmakers a place and a festival where they will be the focus. I am starting small with a one day festival, but hopefully it will grow into more.

How has your FilmFreeway submission process been?

My FilmFreeway experience has been great! There are some days where we won’t get submissions and that gives us a chance to review films and catch up on the many that we have received. As soon as we catch up we get more submissions, but that is great. We always think we’ve been the best films, and then other people submit and you think that THOSE films are awesome too. Sometimes one person will submit multiple films, so that is interesting to see all the different ideas that one person has.

Where do you see the festival by 2020?

By the year 2020, I see the festival being a successful festival with over 300 submissions a year, and having so many people attend the festival we need a huge venue!

What film have you seen the most times in your life?

The film that I have seen the most times in my life is Pokémon movies. I actually watch a lot of movies a lot of times. I’ve watch Disney’s Aladdin a few times, as well as Disney’s The Lion King. When I really think about, I remember watching The SpongeBob Movie a lot of times. I also really like the old Teenage Mutant Ninja Turtles movie. That’s a favorite of mines too.

In one sentence, what makes a great film?

A great film has action, comedy, adventure, good script, good actors, and good music.

How is the film scene in your city?

In Baltimore, it seems like the film scene is off and on. Baltimore was really popular years ago, and then the film scene kind of went away. I think there is only two film festivals here, and neither have a youth or kid category. Sometimes Baltimore is the location for a few scenes of a film or television show, but not a lot happens anymore. I think that is because we don’t have tax credits like other cities.

imaginationlightbox2.jpg

Interviewer Matthew Toffolo is currently the CEO of the WILDsound FEEDBACK Film & Writing Festival. The festival that showcases 20-50 screenplay and story readings performed by professional actors every month. And the FEEDBACK Monthly Festival held in downtown Toronto, and Los Angeles at least 2 times a month. Go to www.wildsound.ca for more information and to submit your work to the festival.

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Interview with Festival Director Emi Onishi (UPTOGOOD Impact Film Festival)

Combining a traditional student film festival with a powerful online platform built for video-driven social impact campaigns, UPTOGOOD Impact Film Festival asks students to produce and share videos / short films that can catalyze positive social change by highlighting social issues and solutions in their communities—and to use our film festival to amplify that impact.

Matthew Toffolo: What is your Film Festival succeeding at doing for filmmakers?

Emi Onishi: Our film festival succeeds at helping students promote and celebrate the art of impact storytelling, producing, and campaigning for social impact. With our online platform, built in community, and incredible media sponsors we are able to amplify the winning films and help bring more attention to the causes the filmmakers are addressing in their films and campaigns. Submission deadline is 4/5/17 and festival passes are now available at UPTOGOOD Impact Film Festival

What would you expect to experience if you attend the festival this year (2017)?

UPTOGOOD Impact Film Festival is a day-long event with film screenings, panel discussions and networking events that allow students, filmmakers, activists, nonprofits and practitioners to gather at the intersection of storytelling and social impact.

What are the qualifications for the selected films?

Eligible Applicants are U.S. high school students, college and film school students with a <10-minute video detailing a social issue that matters to them, and the steps one can take to make that issue disappear, submitted via online platform, UPTOGOOD.org

Do you think that some films really don’t get a fair shake from film festivals? And if so, why?

There is a lot of competition out there. Films are easier to make these days. The equipment and resources are readily available to most people. In many ways, you have to really submit your best work to film festivals in order to heighten your chances of being accepted into one.

With our festival, we focus primarily on social impact cinema. We live in an increasingly digital world with tools to mobilize a crowd. Millennials are the most cause-centric generation yet. It’s very exciting to see so many documentaries and social impact films being submitted. We do our very best with our staff and judges to make sure each film is watched and judged properly.

What motivates you and your team to do this festival?

There is a growing need to champion GOOD in today’s challenging world. We all care about what’s going on in the world and want do something good and make it a better place. A chance for meaning. We are inspired by the work of amazing storytellers and their ability to move people. We wanted to create a festival and platform where young storytellers can raise awareness on social issues and influence people’s perspectives to encourage debate and inspire actions on social issues. We believe impact and change can happen in numbers. it’s not always one person taking monumental action. It can actually be as simple as lots of people taking a little bit of action too. That is momentum, that is how things move, that is how we make an impact and arrive at a world that is UPTOGOOD. We’re looking forward to seeing as many people as possible getting UPTOGOOD with us even outside of the festival through UPTOGOOD.org.

The film festival offers a unique and timely intersection of social impact campaigning and video storytelling, while providing attendees with the chance to hear from speakers or professional organizations that are pioneers in the field.

Statistically, millennials are not only the largest, most educated and most diverse population in the United States, but they are also the most politically active and socially aware. A 2014 study by the White House Council of Economic Advisers has found that Millennials are the largest generation in the United States. Yet another study by the PwC Council of Economic Advisers has found that Millennials are the most diverse and educated in American history. On average, they also value the opportunity for positive social impact for their children, communities and society as a whole.

In short, millennials want to save the world — one person at a time. Our film festival is a gateway for them to voice their opinions and initiate real change.

How has your FilmFreeway submission process been?

It’s been very helpful in getting our film festival the attention it needed. This is our inaugural year so we were really focused on our submission call. Having our film festival listed on FilmFreeway allowed us to receive many great films and campaigns from around the U.S.

Where do you see the festival by 2020?

We hope to be reaching more people and creating large movements that can meaningfully affect communities and the world through the festival.

What film have you seen the most times in your life?

Any and all social impact films #StoriesThatMatter. We are strong believers in the power of storytelling and its ability to move people to foster new ideas, dialogue, empathy and reflection for social impact together.

In one sentence, what makes a great film?

A great film is memorable and has a story that had to be told through the medium of film.

How is the film scene in your city?

Bustling and busy! The UPTOGOOD Impact Film Festival runs out of Los Angeles which is the movie-making capital of the world. In addition to having Hollywood in our backyard, we are closely connected to an incredibly large community of social impact storytellers and documentarians.

uptogood2.jpg

Interviewer Matthew Toffolo is currently the CEO of the WILDsound FEEDBACK Film & Writing Festival. The festival that showcases 20-50 screenplay and story readings performed by professional actors every month. And the FEEDBACK Monthly Festival held in downtown Toronto, and Los Angeles at least 2 times a month. Go to www.wildsound.ca for more information and to submit your work to the festival.

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Movie Review: PERSONAL SHOPPER (France 2016) ***

Deadlines to Submit your Screenplay, Novel, Story, or Poem to the festival: http://www.wildsound.ca

personal_shopper.jpgDirector: Olivier Assayas
Writers: Olivier Assayas (dialogue), Olivier Assayas (screenplay)
Stars: Kristen Stewart, Lars Eidinger, Sigrid Bouaz

Review by Gilbert Seah

 After the modest box-office success of CLOUDS OF SILS MARIA, director Oliver Assayas (IRMA VEP, CLEAN) and actress Kristen Stewart reunite with a moody ghost story called PERSONAL SHOPPER. The title character, Maureen is as the title implies, a personal shopper for a wealthy German model and designer, Kyra (Nora Von Waltstätten). Maureen also has a ghostly encounter from her recently dead brother who she was quite close with.
The closeness is explained in two reasons – necessary to convince the audience why she is so determined to have a spiritual encounter with him. One is that he is her twin. Second is that the both suffer from the same health issue, though someone could live till a hundred with it. What happened to the brother is explained by the doctor as a rarity. But Maureen cannot indulge in any excessive physical activity.

Within the first 15 minutes of the film’s running time, the only thing established is that Stewart plays a personal shopper and that she has had one ghost encounter. The audience is obvious primed for a slow haul of a movie. Not much has happened except that Stewart has been walking around, mucking around and just looking at dresses for Kyra. The dresses are very glamorous, for those who like to look at dresses. Maureen is forbidden to wear the dresses. But she does, even masturbating in one of the sexier ones.

PERSONAL SHOPPER works off Maureen’s character with a few side incidents. Maureen rides along on a scooter, has a few ghostly encounters (though not fully explained who the apparitions are), runs errands and has an uncomfortable encounter with a stalker on her mobile phone. The film contains a loose narrative but a strong presence in Kristen Stewart’s character. Assayas is in playful mood here milking the most out of his actress.

One side incident involving a murder is done Hitchcock style. Maureen discovers a brutal murder just as in the scene in Hitchcock’s THE BIRDS when the first attack of the birds was discovered.

As a ghost story, the ghost appears as an apparition similar to old ghost films with dust stirred up with blurred figures. The seance scene also looks typical of those in early ghost stories.

In the end, one eventually asks whether this light hearted ghost story is any fun. Well it might be for director Assayas and his star, but it might be too much of a slow and long haul for others. Assayas leaves his film with an open ending that might have some audiences dissatisfied. But on the same hand, PERSONAL SHOPPER is not a film that lends to a Hollywood ending. Having one would have destroyed the entire atmosphere of the film Assayas had so carefully created.

The film is shot in English, with some French and German spoken (and an elaborate German song) with a moody setting in both Paris and London. Interesting but not great!

Trailer: https://www.youtube.com/watch?v=7hghXP4F3Qs

 

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Deadlines to Submit your Screenplay, Novel, Story, or Poem to the festival:http://www.wildsound.ca

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