TIFF 2017 Movie Review: MOTORRAD (Brazil 2017) ***

Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2017. Go to TIFF 2017 Movie Reviews and read reviews of films showing at the festival.

Motorrad Poster
A wild and weird allegorical thriller. A gang of young dirt bikers on a ride across an isolated region of Brazil find themselves being hunted by a machetes.

Stars:

Carla Salle, Pablo Sanábio, Guilherme Prates

MOTORRAD begins with Hugo (Guilherme Prates) breaking into a junkyard to steal a bike motor. The old man in charge of the yard catches him but Hugo is saved by a beautiful girl from being shot.

The film changes course with Hugo going on a ride across an isolated region of Brazil with his brother’s bike friends. Hugo meets the girl who takes them on an isolated path. The film changes course once ore at the film’s half hour mark turning it into a chainsaw massacre like film when they find themselves being hunted by a machete-wielding band of motorcyclists intent on killing them all.

Though the film sounds silly, it is well shot, especially the underwater sequence with excellent sound and stereo effects.

Director Amorim does well in combing fun and terror in this otherwise weird and enjoyable romp of male chauvinism.

Trailer: https://www.youtube.com/watch?v=atOaoJtNfyY

Kickstarter Interview: Dominic Crisp (ESCORT Short Film)

Make a donation on the short film here: https://www.kickstarter.com/projects/1326489395/escort-short-film
escort_short_film

Interview by Kierston Drier

  1. Tell me a little about yourself, your background and your work as a filmmaker/creator.

I grew up rurally in Oxfordshire, middle of nowhere with not too much going on. So a lot of time when I was young was about making up stories with friends that we’d play out in the fields, all very picturesque.

At 19 I got in to the Oxford School of Drama, where I trained as an actor for the next four years. During the final year and a half at drama school I started to write for both film and stage, and this summer, having just graduated, I am now able to start producing my own work. This is essentially the first film project that I’m heading, so I’m kind of floundering in the deep end. But that’s good, I’m learning a lot, I believe in this story, and it’s all about taking risks.

  1. Let’s talk about your project! What is your Short about?

SO! This short is taken from a wider feature script that I’m developing, which is about the relationship struck up between a male escort and his female employer. The short charts the developments of their first date, from awkward beginnings to surprising ends

  1. Tell me about the origins of your project?What was it born out of? What inspired you to create it?

So I’d just started my final year at The Oxford School of Drama and I’d moved home for the final two terms, commuting in to the school. I was eating with my mum and dad and we were talking about how I was going to earn money living in London and one of us joked that I could become an escort, that there’d be a fair whack to make out of that. That basically sparked the whole concept, and things moved from there. I now live in London, I’ll let you decide whether you think I followed through on the job idea.

  1. What about your upcoming film really excites you?

When I first started telling people about the idea they kept asking me ‘Oh, have you seen pretty woman?’. I guess what I think is exciting about this film is that it reverses the roles in that film, its not stereotypical. Here we’ve got the female character in complete control and I think that makes for something a little different. I’m really not trying to be a martyr or anything by championing the fact I’m writing a strong female character, that should be the norm. But I do think there’s something really exciting when you put Jo (lead female character) in the drivers seat, where the outcome of a lot of the story is in her hands. I don’t know if I’ve seen that before in this context.

  1. You are running a Kickstarter right now, correct?What are the basic details?

All or nothing. So if I don’t raise the full amount, I get Nada. So a bit stressful. There’s four days left on the campaign so it’s really getting to crunch time.

  1. What will the funds you raise go towards?

All the funds raised will go in to production costs. It will cover travel and food for all cast and crew, enable me to buy some lighting equipment (I’m going for the visuals of Mulholland and the story power of Blue Valentine). It will also pay for a Colourist, who will really make the picture come alive visually in post-production. It will also mean I can get a sound designer on board to compose a score.

  1. What are some of the rewards you can get through funding it? 

There are four different awards

£10  gets you first online viewing of the finished article

£20 gets you a digital copy of the finalized short script

£50 gets you a canvas print of the Escort artwork that heads the Kickstarter page

£200 Just like in the short it gets you a dinner date (within the UK) with me, whether that’s a reward or not you can decide. I’ll be a paying for this one though.

  1. Tell me why you think everyone needs to check out your film?

Because if they don’t they’d regret it for the rest of their life!!!! Ha, no. I think it will tell a really engaging story, that should also look exceptional, and if that’s your cup of tea, get on board.

  1. Tell me some inside scoops- have any wonderful anecdotes come out of your short so far? Fun facts? Fun stories?

If running a Kickstarter has taught me one thing, it’s how to sell yourself to other people. So I guess for this film, that’s pretty apt.

  1. What is one thing you want to aspiring filmmakers everywhere to know?

I guess without trying too sound preachy (as I’m very much an aspiring filmmaker as well) I’d say that you’ve got to believe your own story. It may still fall flat on its face but at least then you know that what you’re doing is honest.

  1. If I wanted to go check out your Kickstarter right now, where would I go?

 

Make a donation on this short film here: https://www.kickstarter.com/projects/1326489395/escort-short-film

Movie Review: DISNEY CARTOON CAMERA (USA, Documentary)

Played at the August 2017 DOCUMENTARY Short Film Festival

by Kierston Drier

A fascinating look at the history of cartoon cinema, from the early 20th century to present, Disney Cartoon Camera breaks down the cartoons through the technical lenses- literally and metaphorically.

 

Following respected and often renown Disney animators, archivists and technicians, this 30 minute short doc takes us step by step through the detailed and highly nuanced breakdown of creating lush and realistic art. From Snow White to Chicken Little we see the elaborate and innovative technology that makes it all possible. Bright, colorful, nostalgic and beyond fascinating, there is something for everyone in this cartoon-classic doc.

 

Disney Cartoon Camera takes on a far more educational tone that a more story-driven or character-driven doc, but it is nevertheless engaging and captivating. For the movie buff, the young-at-heart or even the cartoon geek, this is a film to watch, savor, learn and enjoy.

DISNEY CARTOON CAMERA, 23min, USA, Documentary
Directed by David BosserDisney Cartoon Camera, hosted by acclaimed historian Leonard Maltin, tracks the history of animation cinematography – from the origins of crude “down shooters” to the first multi-plane camera fashioned out of old car parts, to the latest digital camera capture systems – through the eyes of the camera operators and technicians.

CLICK HERE – and see full info and more pics of the film!

Movie Review: MY NAME IS JOAN (USA, Documentary)

Played at the August 2017 DOCUMENTARY Short Film Festival

by Kierston Drier

My Name is Joan, packs an exceptional emotional punch. Poignant, compassionate and full of intrigue, it follows a story that is nothing short of scandalous, involving the mother-and-baby homes of the 1920-1980’s in Ireland. We follow Susan Drew, born Joan Fagan to an unwed mother in Dublin and adopted under mysterious circumstance, as she recounts her story of discovering her past. As Susan revels her own history- and that of her mother who lost her daughter in a mother-and-baby home to an overseas adoption, we also uncover the history of illicit adoptions performed through the Catholic church in a time when unwed mothers faced extreme persecution.

 

Untold numbers of women gave birth out of wedlock after the second world war. While the Irish government looked away, those women were sent to Church-run mother-and-baby homes, where they were promised totally anonymity and safety to deliver their babies. What they were not told was that they would be subjected to difficult conditions, poor treatment, neglect and that their children could be taken from them and adopted out- with very little they could do about it.

 

Susan would have been one more unnamed child lost in a sea of murky documentation. That is, if it hadn’t been for one nun who saved and scanned the paperwork of every child she saw under her care- Susan being one of them.

 

My Name Is Joan is an incredible documentary. Susan’s journey being the primary tale, the story still branches out, spider-web like, into the larger scandal. With jaw-dropping statistics and frightening conclusions to be drawn from them, it is incredible that such an event can take place, seemingly under the nose of a country. My Name Is Joan is one woman’s story of finding her past, and changing her future. It is also a story of a nation whose women and children were under siege. A gripping, emotionally ambitious and incredibly moving film.

 

MY NAME IS JOAN, 30min, USA, Documentary
Directed by Margaret Costa

Tells the story of Susan Drew, a woman who was born Joan Fagan to an unwed mother in the St. Patrick Mother and Baby Home in Dublin, Ireland in 1949. While the documentary chronicles Susan’s journey to find her true identity, it also highlights the illegal exporting of children by the Catholic Church to families in other countries for profit while the Irish Government looked the other way.

CLICK HERE – and see full info and more pics of the film!

Movie Review: THE MARCH SWEATER – PART 1: THE CARETAKERS (Canada, LGBT, Documentary)

Played at the August 2017 DOCUMENTARY Short Film Festival

by Kierston Drier

This special part 1 of March Sweater, follows two seniors, Peter and Vincent, who shared their lives together as a married couple, and become caregivers to Peter’s 95-year-old mother. A fascinating peer into at a community from an often-overlooked angle, Peter and Vincent talk about their lives together and the various lessons they learn through loving each other.

 

From their meeting, to their courtship and through to their marriage of cohabitation, they address the major areas of their world- compromise and sacrifice, but also the love that makes it so very worth it. “I don’t want to think about life without Vincent,” a notable line from Peter that seems to distill the depth of their feelings. For anyone who has ever loved another person, they are, as a couple,  instantly relatable.
This film sparkles. Peter and Vincent are easy to love. Peter’s laugh is infectious and warm and Vincent’s’ kindness and compassion are clear in every word. The March Sweater, PART 1 is a testament to true love ability to transcend any obstacle, culture, society, age. They are proof for any skeptic- love always wins.

THE MARCH SWEATER – PART 1: THE CARETAKERS, 8min, Canada, LGBT, Documentary
Directed by Cory AshworthLGBTQ2+ seniors speaking of life, love and the wisdom that comes with growing older.

CLICK HERE – and see full info and more pics of the film!

Movie Review: WALLY (USA, LGBT, Documentary)

Played at the August 2017 DOCUMENTARY Short Film Festival

by Kierston Drier

This bright, fresh and endearing short directed by Andy Galloway, follows the life and memories of Wally Linebarger- a renowned and beloved art teacher at a religious school who was let go because of his sexuality in the early 1990s. The story follows, not only Wally (as he discusses who he is and what lead him to his decision to come out) but also his three daughters and the effect the issue had on them.

 

Wally will captivate you from the first frame with his emotional openness, his humor, his charm and his endearing view of the world. One of the most effective parts of this documentary, however, is the accompaniment of his children. The documentary would stand on its own without them, but with them it truly raises above and beyond. Wally’s three daughters add a complex and resonant angle to a controversial and heartbreaking matter- that their loving and devoted father was let go from his job, and isolated from a community simply because of who he was. The lasting repercussions of that, in turn, affected them. Their points of view, and their varying experiences, added a critical layer of depth. The film is richer and more poignant for their appearances, confessions, anecdotes and honesty.

 

It is a hard thing to dig through layers of memory, especially when little paperwork or documentation exists. But in the case of Wally, it is done, and with spectacular effectiveness. An engaging story and one worth sharing, Wally is a excellent film.

 

WALLY, 24min, USA, LGBT, Documentary
Directed by Andy Galloway

Wally Linebarger: a man cught in the turbulence of truth. Plagued by a past that longs to define him and a future that remains unsure, Wally presses forward. Despite a life of gain and loss, three lights continue to guide him.

CLICK HERE – and see full info and more pics of the film!

Movie Review: UNTIL DEATH DO US PART, (USA, LGBT, Documentary)

Played at the August 2017 DOCUMENTARY Short Film Festival

by Kierston Drier

Directed by Kristine Kirchmeier, Until Death Do Us Part, is a remarkable short documentary hailing from the USA chronicling the harrowing story of newlyweds Megan and Danielle and their battle with cancer. Only two days before their wedding, Megan is diagnosed with stage four cancer.

What follows in story about two incredibly brave people- made brave by the power of love. Faced with a world of uncertainty, turmoil and potential tragedy, Megan and Danielle show startlingly level-headed composure. Perhaps nothing captures their spirits better than Danielle’s confession to Megan,  “I love you, you idiot. You’re my person.”

What makes Until Death Do Us Part a special piece, is that as a documentary film, it  acknowledges the struggle, concern and desperation of dealing with illness while still showcasing the remarkable resilience of both these women. We see examples of their humanism, their moments of weakness, their fear of the future- while also never once doubting their devotion to one another.

A remarkable film about the lengths we go for love, Until Death Do Us Part is worth the journey. It reminds us all of the things that are worth fighting for.

UNTIL DEATH DO US PART, 8min, USA, LGBT, Documentary
Directed by Kristine Kirchmeier

Young newlyweds Megan and Danielle Love immediately have their wedding vows put to the test after Megan is diagnosed with stage 4 liver cancer a few weeks after they’re married.

CLICK HERE – and see full info and more pics of the film!

TIFF 2017 Movie Review: MEDITATION PARK (Canada 2017) ***1/2

Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2017. Go to TIFF 2017 Movie Reviews and read reviews of films showing at the festival.

Meditation Park Poster

Director:

Mina Shum

Writer:

Mina Shum

Stars:

Sandra Oh, Liane Balaban, Tzi Ma

Mina Shum directs an all-star cast — including Cheng Pei Pei, Sandra Oh, Tzi Ma, and Don McKellar — in her latest feature, about a devoted wife and mother (Pei Pei) who is forced to reassess her reverence for her husband after she finds another woman’s thong in his laundry.

by Gilbert Seah

Hong Kong martial-arts superstar Cheng Pei Pei, now in her ageing years stars as Maria, a devoted wife and mother who is forced to reassess her reverence for her husband after she finds another woman’s thong in his laundry.

She discovers that her supposedly devout husband, Bing (Tzi Ma) is not the perfect husband she thought him to be. They are visited by their daughter (Sandra Oh) who wishes her mother attend the brother’s wedding.

The brother has been disowned by Bing. Maria starts tailing her husband to find out more of his affair. At the same time, Maria opens up her life and finds companionship through her assortment of friends as well as though a neighbour (Don McKellar).

She finds that life has more to offer than just tending to her husband, and to one who has been unfaithful at that. There are some magnificent performances on display here, Cheng Pei Pei’s being the most obvious.

Sandra Oh, who has been in Shun’s films in the past is always good and a pleasure to watch. Shun does not compromise her film for the typical Hollywood ending.

EDITATION PARK should be seen for it being Shun’s best work and for Cheng Pei Pei’s controlled yet powerful performance.

Trailer: https://www.youtube. com/watch?v=tMo7DdGdaq8

MEDITATION PARK 1

 

TIFF 2017 Movie Review: BATTLE OF THE SEXES (USA)

Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2017. Go to TIFF 2017 Movie Reviews and read reviews of films showing at the festival.

Battle of the Sexes Poster
Trailer

2:23 | Trailer
2 VIDEOS | 37 IMAGES

The true story of the 1973 tennis match between World number one Billie Jean King and ex-champ and serial hustler Bobby Riggs.

Writer:

Simon Beaufoy

Stars:

Emma Stone, Steve Carell, Elisabeth Shue |

by Gilbert Seah

BATTLE OF THE SEXES begins with Billie Jean King (Emma Stone) just winning the women’s singles tennis championship making her number one female player in the world.

King is outraged with the inequality of pay by the National Tennis League, especially with Jack, the chairman (Bill Pullman), who is shown to be the real villain of the story. Bobby Riggs (Steve Carell), arranges the battle of the sexes match, using his loud mouth and publicity to earn himself some cash to aid his failing marriage. To King, winning this match is more symbolic.

It is a milestone for women’s rights for equal pay, a point that is mentioned at the film’s end credits but not made clear throughout the film. The lazy script by Simon Beaufoy (SLUMDOG MILLIONAIRE) never bothers with important details of the story.

The film overdramatizes to the point of laughter. One scene has Billie’s lover in her hair salon shop hearing the news of Billie, realizing that she is needed and dramatically drops everything to leave the salon. The wardrobe of the 70’s has never looked so awful in any other film.The script contains lots of inane dialogue and unfunny jokes.

One line has Larry asking his wife if she was getting a blow dry, with full sexual innuendo. The film sheds no real light on the female rights movement, except what we already know.

Trailer: https://www.youtube.com/watch?v=o5ykcuAS1F4

BATTLE OF THE SEXES

TIFF 2017 Movie Review: SHEIKH JACKSON (Egypt 2017)

Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2017. Go to TIFF 2017 Movie Reviews and read reviews of films showing at the festival.

Sheikh Jackson Poster
An Islamic cleric has a crisis of faith when he hears the news that his childhood idol, Michael Jackson, has died.

Director:

Amr Salama

Writers:

Amr Salama, Omar Khaled

Stars:

Basma, Amina Khalil, Ahmad El-Fishawi

Sheikh Jackson is the nickname given to Sheikh as a kid for loving the pop idol Michael Jackson.

The film concentrates on Sheikh as a grown man, now a devout imam (Ahmad Alfishawy) who tends to be praying all the time and demanding devout behaviour of his children, just as his father (Maged El Kedwany), shown in flashback demanded of him.

Didn’t Sheikh learn from his father’s mistakes? Sheikh is also upset that he cannot cry while praying and sees a female psychologist, the sex of which he objects to.

Salama’s film is all over the place, with no observable goal. He has put on centre a subject which western audiences are unfamiliar with and makes no attempt to make him likeable or connected to the audience. The influence of Jackson over Sheikh is also vague at best.

A few comical moments like watching the father pump weights in the gym like a world class bodybuilder helps elevate this otherwise sordid affair.

Trailer: https://www.youtube.com/watch?v=qsijix35ORE

sheikh jackson.jpg