Film Review: GOOD TIME (USA 2017 ) ****

GOOD TIMEA bank robber finds himself unable to evade those who are looking for him.

Directors: Benny Safdie, Josh Safdie
Writers: Ronald Bronstein, Josh Safdie
Stars: Robert Pattinson, Benny Safdie, Taliah Webster

Review by Gilbert Seah
 
GOOD TIME features Robert Pattinson in the role of bank robber unable to display love for his brother that will have critics screaming that Pattinson can act.

Though the film is called GOOD TIME, no one in the film appears to having one at any point. The film begins with Nick (Ben Safdie) under psychiatric treatment before his brother Connie (Robert Pattinson) takes him on a botched bank robbery where he is arrested and put into hospital after running through a glass door. Connie tries to spring Nick out but takes another felon, Ray instead.

The scene where Ray, already half beaten up with his face covered in bandages, scales a high fence, finally falling to the other side hurting his bad shoulder even more, best describes the entire film. Intense, f***ed-up and painful to watch! But Ben and Safdie’s film is a minor miracle, already garnering accolades of praises after Cannes, in the desperate journey of Constantine “Connie” Nikas (Robert Pattinson) in trying to right a wrong.

It is interesting to note that at one point in the film – Connie’s somewhat mentally challenged brother has been replaced by Ray, the wrong guy Connie springs out of the hospital. Not only do the two look somewhat alike, but if the film had gone on with the brother instead of Ray, not much would have changed and the film could have resulted in the same sorry outcome. The only difference in the plot would be the bottle of acid that Ray came up with. This is a bromance that has gone totally wrong, and one in which Connie wants to show love towards his brother or to Ray for that matter, but is unable to do so.

The directors are fond of close-ups, with the bank robbery shot mainly with close ups without the camera moving back at all to show what the rest of the customers at the bank are doing. The close-ups of the faces, often revealing the film’s characters in trouble, heightens the intensity of the film.

‘Oneohtrix Point Never’ won the Cannes soundtrack award in creating a one-of-a-kind soundtrack containing in many parts, a screeching metallic sound that is as unnerving as the film’s plot. The film also features an original song.

Pattinson delivers what might be the best performance of his career, as the edgy bank robber trying to help spring his brother while keeping himself out of the law’s reach. Jennifer Jason Leigh has a small role as Corey and one wishes there would be more of her. Co-director Ben Safdie whom plays the brother and Buddy Duress as Ray are equally good but the small role by Barkhad Abdi as the poor amusement park security caught in the crossfire deserves mention. Abdi can be best remembered for his role as the pirate in CAPTAIN PHILLIPS that earned him an Oscar nomination for Best Supporting Actor.

The film shifts focus between Connie and his brother. At the film’s start and end, the camera is on Nick and what is happening to him. While the majority of the film switches and stays with Connie, the film oddly leaves out what has happened to him after his arrest.

The film is bookended by Nick in his prison psychiatric sessions. The film also questions the effectiveness of the prison system is rehabilitating criminals who are not all there mentally. The film’s most disturbing segment is the prison scene where Nick is beaten up for changing the TV channel while another fight breaks two between two black inmates.

Ben and Josh Safdie is to be commended in their absorbing, fresh and exciting caper movie that captures the seediness and desperation of NYC street life.

Trailer: https://www.youtube.com/watch?v=AVyGCxHZ_Ko
 

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MOVIE REVIEW: SUICIDE NOTE (UK, Fantasy/Thriller)

REAL ARTISTS played to rave reviews at the July 2017 FANTASY FEEDBACK Film Festival.

by Kierston Drier

Highly interpretive and deeply symbolic, this five minute fantasy-thriller from the United Kingdom is an exploration of life, death and it’s faceted transition. SUICIDE NOTE is deep meditation of one person’s journey from life to whatever is beyond it. Set against a haunting ethereal soundtrack and a featuring dramatic and dynamic framing, this piece is filmed in black and white. It has an almost unknowable quality to its tone and atmosphere- as though the viewer, is intentionally meant to never see the full scape of the hero’s world. Perhaps this is because it is the symbolic portrayal of the ultimate journey out of life.

A large portion of the piece is focused on the frame of a delicate doll, seemingly floating or suspended, set against the eye of the main hero. It is possible this doll represents the hero’s human body, while their eye represents their sense of self, both metaphorically and literally. Highly open to interpretation, this is a film that must be watched with an open mind. It may not be conventional cinema, but it is breathtakingly detailed, gorgeously shot and has an hauntingly beautiful tone. A delight for the senses.

 

SUICIDE NOTE, 5min, UK, Fantasy/Thriller
Directed by Marina Waltz

A surrealist meditation on the many self-inflicted deaths of identity we must courageously endure in order to attain a more complete understanding of who we are.

CLICK HERE – and see full info and more pics of the film!

MOVIE REVIEW: REAL ARTISTS (USA, Fantasy/Drama)

REAL ARTISTS played to rave reviews at the July 2017 FANTASY FEEDBACK Film Festival.

“Winner of BEST CINEMATOGRAPHY at the Festival.”

by Kierston Drier

 A breathtaking leap into speculative fiction, REAL ARTISTS is a profoundly powerful portrayal of humanity, biology and entertainment. Full of rich cinematic details, exceptional casting, brilliant performances and subtle but meaningful writing, this is a piece that demands to be engaged with.

Based on a short story by Ken Liu, a young woman with big dreams in the entertainment world, is summoned to a renowned film-producing giant. Initially excited by the prospect of being head hunted, she soon uncovers a dark secret about the film “factory”.

Intense, riveting and introspective while delivering all the powerful emotional punches of any good film, watching REAL ARTISTS feels like watching a bite-sized version of a dense and thrilling feature. Flawless graphics, engaging stories and powerful twists keep the viewers not wanting to blink of fear of missing a moment.

A gorgeous film to behold. REAL ARTISTS will make you think and make you feel. As the credits rolls, a viewer may find themselves wondering what the future of human creativity it- a brave new world, indeed.

 

REAL ARTISTS, 12min, USA, Fantasy/Drama
Directed by Cameo Wood

Real Artists, a dark tale set in the near future, is based on Ken Liu’s short story of the same name. Sophia just scored every animator’s dream interview at world famous Semaphore Animation Studios. But when the Creative Director, Anne Palladon, reveals that she knows about Sophia’s fan-edit of Semaphore’s hit film Mythos, Sophia sees her dreams begin to slip away.

CLICK HERE – and see full info and more pics of the film!

MOVIE REVIEW: A MONSTER CALLED CHARLES (UK, Fantasy/Drama)

ECSTASY BOULEVARD played to rave reviews at the July 2017 FANTASY FEEDBACK Film Festival.

“Winner of BEST PERFORMANCES at the Festival.”

by Kierston Drier

Some films make you laugh with joy, or awkward discomfort. Some break your heart. A MONSTER CALLED CHARLES will do both. This fifteen minute film hailing from the United Kingdom follows a young impoverished boy being raised by circumstance more than by his otherwise neglectful mother- who spends more of her time entertaining Johns than she does caring for her young son and infant daughter. In the wake of any real stimulation, our young hero heads out into the woods to make his own adventures, and discovers a monster there, who he names Charles.

Stunningly shot with a keen attention to detail, incredibly well edited, and seamlessly constructed, this piece also has an exceptional performance from the young male lead. His choices may seem confusing to the viewer at first glance, but his rationality, given his life circumstances, becomes all too clear soon enough. A tale that literally answers the question of what is worse- the monsters you know, or the monsters you don’t.

For a movie told through the eyes of child, and (potentially) their vivid imagination, A MONSTER CALLED CHARLES has a surprisingly intricate level of emotional complexity. Our characters, from smallest to largest, are deeper than mere black-and-white stereotypes. A piece worthy of detailed discussion, this film can be enjoyed at face value as well. It pays homage to childhood classics such as Where The Wild Things Are and even Peter Pan and the viewer can end the piece knowing the a happy ending has been found. A deeper message within the story might be showcasing what the effect of poverty and neglect can have on children.

Whichever way you choose to interpret this film, it is a powerful piece to watch. It would be a tragedy to miss A MONSTER CALLED CHARLES.

 

A MONSTER CALLED CHARLES, 15min, UK, Fantasy/Drama
Directed by Richard Paris WilsonThe story of a Boy who lives in a caravan park with his Mother, and a Monster who lives in a nearby woods…

CLICK HERE – and see full info and more pics of the film!

MOVIE REVIEW: ECSTASY BOULEVARD (USA, Fantasy/Sci-Fi)

ECSTASY BOULEVARD played to rave reviews at the July 2017 FANTASY FEEDBACK Film Festival.

by Kierston Drier

 What happens when you give an alien Ecstasy and turn it loose in the night club? YOU ARE ABOUT TO FIND OUT!

In this five minute American short, our hero takes an unlikely journey into a metropolis, his curious appearance misunderstood as urban eccentricity and gets caught up in a rave scene. He is not alone, however, and his illegal trespassing upon Earth alerts an assassin to track him down. What follows is a smoky cinematic chase through the world of a city after dark.

What makes this piece stand out, despite it’s highly effective visuals and minimal dialogue, is its use of mixed media. Throughout the work, scenes of importance are replaced with powerful animated visuals, giving an otherworldly, fantastical spin on the piece.

A fantastic, futuristic and gripping story, ECSTASY BOULEVARD will have you on the edge of your seat.

 

ECSTASY BOULEVARD, 5min, USA, Fantasy/Sci-Fi
Directed by Benjamin Allen

When an illegal alien lands his spacecraft on Earth, the assassin known as Kn1ght powers up to hunt the reptile down.

CLICK HERE – and see full info and more pics of the film!

MOVIE REVIEW: PLEASE LOVE ME FOREVER, (France, Fantasy/Romance)

PLEASE LOVE ME FOREVER played to rave reviews at the July 2017 FANTASY FEEDBACK Film Festival.

It was the winner of BEST FILM at the festival!

by Kierston Drier

PLEASE LOVE ME FOREVER is a highly colorful and richly detailed world of fantasy, love and horror is brought sharply into focus with exceptional casting and vivid imagination. Our piece follows a delicate and sheltered teen, Lili, cloistered in her home with her bitter, reclusive and beauty obsessed mother, Claudie. While Claudie seeks the help of a mystical gardener with a talent for growing beautiful replacement parts for her aging body, Lili falls hard for the boy next door. Lili’s crush soon takes control of her and she manages to seduce the young boy into her home- against her mother’s’ wishes.

Once there, however, she realizes she has loved in vain, and her heartbreak spurns her to seek an answer to her problems- by going to the gardener.
PLEASE LOVE ME FOREVER shares the same sort of vivid, lush colors of famous films like Amelie but it’s tone is somewhere between the whimsy of a Wes Anderson film and a comical horror akin to Drew Goddard’s Cabin In The Woods.

Gorgeously composed, offering comedy, horror, irony, drama, passion and tension, this is a piece that packs an emotional punch, sends a shiver down your spin, and gives you a sharp pang of longing all at once.

A masterful emotional cocktail of a short film, it boasts spectacular performances all around, and a fantastically efficient and meaningful script. Bravo, PLEASE LOVE ME FOREVER, Bravo!

 

PLEASE LOVE ME FOREVER, 27min, France, Fantasy/Romance
Directed by Holy Fatma

In a surreal world, Lili, a 14-year-old albino, lives alone with her mother Claudie (50) who over-protects her from the outside world. Obsessed with her own appearance; Claudie regularly replaces aging parts of her face, alone in her operating lab, while Lili dreams of Lyesse, her 16 year-old handsome neighbor. But scared by so much love, Lyesse gently pushes her away. Devastated, she decides to operate his heart to understand why he doesn’t love her…

CLICK HERE – and see full info and more pics of the film!

MOVIE REVIEW: STAR WARS: TRIALS

STAR WARS: TRIALS played to rave reviews at the July 2017 FANTASY FEEDBACK Film Festival.

by Kierston Drier

STAR WARS TRAILS, a fan fiction short from the USA, has done something magical in its five minutes of screen time. It creates a riveting, tense and emotional ride, complete with twist ending, in record time and with remarkable simplicity.

This film is an example for anyone who doubts the power behind a piece that boasts a small story with a simple setup. With minimal locations, characters and dialogue, this film still manages to deliver everything you want to see in a short film- nail-biting tension, fascinating character, jump-in-your-seat cinematic turns and, to top it off, a cool twist.

Well done to the strong cast, excellent vocal work and gut-crunching visuals that make STAR WARS TRAILS come to life with startling clarity. Whether you are a fan of the franchise of not, you’ll enjoy this film.

 

STAR WARS: TRIALS, 5min, USA, Action/Adventure
Directed by Jeremy Garcia

Rowan awakes in the dark depths of a cave with nothing but her lightsaber. As she navigates the dark environment she learns she may not be alone.

CLICK HERE – and see full info and more pics of the film!

MOVIE REVIEW: TYSVAER WARS – A STAR WARS STORY

TYSVAER WARS – A STAR WARS STORY played to rave reviews at the July 2017 FANTASY FEEDBACKL Film Festival.

by Kierston Drier

 This delightful comic romp through one love-struck teens imagination will be the perfect escape for any movie-goer, Star Wars Fan or not. Disarmingly charming with its comic honesty and authenticity, our hero enters a fantasy world where he can save the day and rescue the princess- all through the most iconically familiar Star Wars moments.

The die-hard Star Wars fan will love it for its visual references, the film goer will love it for its meta-theatrics and intentional irony, and the everyone who finds themselves somewhere in between those two poles will be endeared to TYSVAER WARS for its endearing story. Haven’t we all been love-sick teenagers?

A comic romp that will have everyone in the crowd rolling with laughter, this is a fantastical, iconic and gleeful homage to classic cinematic work of art. You will cheer on the hero till the final frame- you may even want to watch it twice.

Watch the Audience FEEDBACK Video

TYSVAER WARS – A STAR WARS STORY, 4min, Norway, Comedy/Action
Directed by Erlend Bjelland

A heartbroken Star Wars fan escapes into his own fairy tale.

CLICK HERE – and see full info and more pics of the film!

TV REVIEW: GAME OF THRONES – SEASON 07 – EPISODE 05

eastwatch-1Daenerys demands loyalty from the surviving Lannister soldiers; Jon heeds Bran’s warning about White Walkers on the move; Cersei vows to vanquish anyone or anything that stands in her way.

Director: Matt Shakman
Writers: David Benioff (created by), Dave Hill (written for television by)
Stars: Peter Dinklage, Nikolaj Coster-Waldau, Lena Headey

Review by Mary Cox

“Eastwatch”

Tonight sees the reunion between the Dragon Queen and our favorite friend-zoned hanger-on, Jorah Mormont, who is summarily planning on throwing his second chance at life straight into the trash by setting out to capture a White Walker with Jon Snow. Once they somehow capture one, the Dragonstone crew intend on taking their frosty friend on a cross-country tour to help negotiate and armistice with Cersei.

The question of this season is: what is Littlefinger up to? After we see him plant a note with the intention to damage Sansa and Arya’s already splintered relationship, it makes me wonder what he’s really after. All signs point to Sansa and being the new Warden of the North, but what’s his end game?

Littlefinger is known for being allied to himself and himself only, so does he intend on backing the Lannister or Targaryen claim to the throne?

Jon’s positive interaction with Drogon once again is pointing to the all but directly established theory that he is the son of Rhaegar Targaryen. Another moment that happened so quickly and quietly that you could have easily missed it was when Gilly brings up the annulment and secret second marriage of Prince “Raggar” in Dorne. This seems to again allude to the notion that Rhaegar and Lyanna’s relationship was legitimate.

Down in King’s Landing, everything is pointing in the direction of Cersei losing her grip on her sanity and on her acceptance of reality. It’s being heavily implied that Jaime is going to potentially have to make a choice between his sister and his country. Calling it now: Jaime’s going to end up beheading Cersei before this whole affair is over. If we think back to the prophecy given to Cersei by a fortune teller, her death was predicted to happen at the hands of a “Valonqar,” which we know is High Valyrian for “little brother”. Cersei always assumed that this meant that Tyrion would be responsible for her death, but with all the signs pointing to Jon’s Targaryen heritage, we can’t be so sure.

eastwatch-2.jpg

******
“Mary Cox is an entertainment writer from the United States. Her hobbies include making good beer and bad decisions, watching drag queens fight on the internet, and overanalyzing everything. Mary one day hopes to be the person shouting “World Star” in the back of a Waffle House brawl video. She is currently tolerating life in Toronto. You can follow her on Twitter at @M_K_Cox”t

TV REVIEW: TWIN PEAKS – SEASON 03 – EPISODE 14

twin_peaks_13.jpg“Part 14: We are Like the Dreamer”

Creators: Mark Frost, David Lynch
Stars: Kyle MacLachlan, Sheryl Lee, Michael Horse

Review by Mary Cox

After a few particularly draggy episodes, tonight’s installment of Twin Peaks was all about action. Even though Part 14 was technically leaked when Sky aired the wrong episode last week, people who successfully managed to avoid spoilers have been decently rewarded for their wait. Fans who criticized the slow pace of past episodes will rejoice at how much actually happened tonight. Janey-E is Diane’s sister! Chad finally got thrown in jail! The Giant has a real name! Most importantly, the Twin Peaks PD have finally made it to Jack Rabbit’s palace. A vortex that was similar to the Woodsmen-filled portal seen by Gordon Cole appeared and temporarily kidnapped Sheriff Andy. After the Fireman laid a montage of truth on Andy, he and the other officers reappear in the woods in a manner that is incredibly similar to how the Woodsmen move between our world and
the Black Lodge. Between this sequence, the introduction of Freddie and his power glove, and Naimo’s arrival on Earth, it seems like the Fireman trying to assemble a team to combat the forces of the Black Lodge.

Something serious is up with Sarah Palmer. Between the visual reference to the ceiling fan, which we know is an established link to Bob, and last week’s boxing loop, it’s no surprise at all that Sarah Palmer went straight up Mike Tyson on that guy. We’re also seeing a parallel between Laura in the Red Room and Sarah in our world. It’s been heavily implied that Laura was engineered in what is almost a Messiah narrative to be the anti-Bob, and Sarah’s literal unmasking reinforces that theory.

However, not everything has been sorted out. There are still a considerable amount of untied loose ends. In another chapter of the Billy/Tina drama (that seems to be connected to much more of the story than we originally thought) we learn that Tina’s daughter saw Billy bleeding from the nose and mouth before he disappeared. We’re only four episodes away from the grand finale of this series, and it’s only a matter of time before all of the paths in this series finally cross. Once again, all roads lead to the Roadhouse.
 

We are Like the Dreamer

******
“Mary Cox is an entertainment writer from the United States. Her hobbies include making good beer and bad decisions, watching drag queens fight on the internet, and overanalyzing everything. Mary one day hopes to be the person shouting “World Star” in the back of a Waffle House brawl video. She is currently tolerating life in Toronto. You can follow her on Twitter at @M_K_Cox”t