Movie Review: GOLDFINGER, 1964. 3rd James Bond Movie

actionadventurefestival's avatarAction/Adventure Film & Screenplay Festival

Submit your Action/Adventure Story to the Festival Today: http://actionadventurefestival.com

GOLDFINGER,  MOVIE POSTERGOLDFINGER, 1964
Movie Reviews

Directed by Guy Hamilton
Starring Sean Connery, Gert Frobe, Honor Blackman, Shirley Eaton, Harold Sakata and Bernard Lee.
Review by Jesse Ryder Hughes

SYNOPSIS:

A vengeful Bond is sent to see where the megalomaniac Auric Goldfinger gets his gold by M. Bond and Goldfinger have many one on one confrontations where Bond figures out that Goldfinger has a plan that could send the U.S.A into economic turmoil, while Goldfinger profits from the misfortunes.

REVIEW:

If you don’t know James Bond, most people would recognize Auric Goldfinger and his Korean bodyguard Oddjob, spoofed a lot due to his metal hat he throws to murder people. Goldfinger and Oddjob are so iconic to the Bond franchise. Bond and Goldfinger have numerous confrontations both playing at each others game, while a massive looming Korean with his lethal hat hangs out…

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Movie Review: DEADPOOL (2016)

Deadlines to Submit your Screenplay, Novel, Story, or Poem to the festival: http://www.wildsound.ca

deadpoolDEADPOOL (USA 2016) ***
Directed by Tim Miller

Starrting: Ryan Reynolds, Morena Baccarin, T.J. Miller

Review by Gilbert Seah

DEADPOOL the latest Marvel comic book ‘hero’ movie arrives with great anticipation and fanfare of comic book fans. Fans know their comic book hero and expect to see a foul-mouthed, angry, sexy and ugly fighter in an R-rated movie.

First of all, some background on DEADPOOL. Those familiar with the marvel character, best described as an uncensored personality would best skip this paragraph. DEAD POOL is the name of the lead character previously known as Wade Wilson (Ryan Reynolds). The character is less a hero than an antihero. He describes himself in the film as a bad guy paid to take out other bad guys. At first a normal human being, then voluntarily subjected to experiments in order to cure his cancer, Deadpool ends up totally mutated but also with accelerated healing powers and fighting agility. He is badly scarred especially facial wise and wears a skin tight costume. He is angry, swears all the time and beats various people up, depending on his mood. The fans expect the film to be extremely violent, especially in the already famous touted skewer scene in which Deadpool props a baddie up with his twin blades. Director Miller satisfies the fans with the segment not only shown twice, but also in slow motion.

To director Miller’s credit, the film is energetic and funny enough for the audience to be distracted from the film’s flaws. The film begins with mock opening credits that no doubt is funny at first, but soon wears out its welcome. It says for example that the film is directed by an overpaid tool with all other members of the the filmmaking team insulted except for the writers. The real credits appear at the end of the film.

The film begins with Deadpool (Reynolds) taking a cab, driven by Dopinder (Karan Soni) to fight his enemies, the main one being Francis (Ed Skrein from the TRANSPORTER remake). Deadpool has a lengthy irrelevant but hilarious conversation with Dopinder. The fight ensues, but because Deadpool has forgotten his bag of weapons, has only 12 bullets in his gun. As a result, he has to cut off his hand from a handcuff in order to escape in a garbage truck. The film flashes back to how this scene takes place. In the process, the audience learns that the film is a love story – one between Wade Wilson and Vanessa (Morena Baccarin).

The film’s storytelling format is chopped up unnecessarily as if the target audience is assumed to have a very short attention span. There is no need for the excessive violence, except maybe to satisfy the hardcore Deadpool comic book fans. The humour is forced, the dialogue terribly crude and blunt and many characters appear out of nowhere. An example is the blind old back lady, Al (the wonderful Leslie Uggams) who ends up as Deadpool’s lover, living in his apartment. Her quotable line: “I miss my cocaine.” All this might be entertaining to some but on the other hand , terribly boring to others, like the film critics.
For what it is worth, DEADPOOL delivers to its core audience. The film turned out better than I expected, having very low expectations after watching the trailer. But I am not the core audience. DEADPOOL fans will definitely be pleased!

 

Also, Free logline submissions. The Writing Festival network averages over 95,000 unique visitors a day.
Great way to get your story out: http://www.wildsound.ca/logline.html

Deadlines to Submit your Screenplay, Novel, Story, or Poem to the festival:http://www.wildsound.ca

Watch recent Writing Festival Videos. At least 15 winning videos a month:http://www.wildsoundfestival.com

Deadline TODAY: Fantasy/Sci-Fi Screenplay Festival (Feature, Short, TV Pilot) Save $15 off

WILDsound Festival's avatarWILDsound Festival

A FilmFreeway preferred festival:

(Scroll down and watch winning performance videos)

Get your screenplay performed by professional actors at the Fantasy/Sci-Fi Festival.

The Fastest Growing FANTASY/SCI-FI Festival and Contest in the World today!

– 0ffers screenwriters at all levels the fantastic opportunity to hear their stories read aloud using TOP PROFESSIONAL ACTORS (see below for recent performance readings).

– No matter what happens, you will receive full feedback on your work by our established committee. No other place in the world will you get coverage for the price you pay.

– Even if you’re just looking for feedback of your work, this is the festival for you.

– It’s there for all to see. The proof is in the viewership. These videos garner 1000s of views online. Some of the screenplay readings are more popular than actual studio films made!

– We specialize in showcasing Horror stories and making sure…

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Movie Review: FROM RUSSIA WITH LOVE, 1963. 2nd James Bond Film

actionadventurefestival's avatarAction/Adventure Film & Screenplay Festival

Submit your Action/Adventure Story to the Festival Today: http://actionadventurefestival.com

FROM RUSSIA WITH LOVE,  MOVIE POSTERFROM RUSSIA WITH LOVE, 1962
Movie Reviews

Directed by Terence Young
Starring Sean Connery, Pedro Armendariz, Lotte Lenya, Robert Shaw, Daniela Bianchi and Bernard Lee.
Review by Jesse Ryder Hughes

SYNOPSIS:

It comes to MI6’s attention that a Russian girl has defected and offered to bring a lektor decoding device to MI6 in exchange that James Bond comes and retrieves her and the device. Bond rightfully responds that it is a trap, but who is setting the trap? Is it the Russians?

REVIEW:

Off the bat I have to say that From Russia with Love is my favorite Bond film and Bond novel. The film follows the source material relatively close, except a few minor changes, but that doesn’t matter, because the film is exciting and it flows extremely well. Unlike Dr. No we know the plan of the foes right…

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Interview with Aviel Silook, Founder & Creative Director (BERLIN MUSIC VIDEO AWARDS)

Berlin Music Video Awards
Follow us: Facebook | G+ | Twitter | VK | Instagram

Matthew Toffolo: What is your Film Festival succeeding at doing for filmmakers?

Aviel Silook: Our event is not a film festival, we really try to step out of this definition. The next teaser will explain: http://dai.ly/x3hcbkz

Our event is the biggest music video networking event in Europe, we already know about many nominees and winners who visited and found great job opportunities. Besides, some of the winners who traveled between Music Video’s events grasped that it is very unique, personal and fun compares to others.

We believe that getting selected by us means something special.. different than other events that their winners are always high budget productions. 2 of our final winners were winning with their first ever music video and since then they were invited to make many more videos. I believe that the fact that we nominate music videos in all languages is really appreciated as well.

We managed to get over 700 mentionings in a bit more than 3 years and we always ask to include videos from our nominees

Matthew: What would you expect to experience if you attend the festival this year (2016)?

Aviel: I am originally a nightlife events producer and my main goal is that the guests of the event will have fun! so besides the great video selection we pay a close attention to other elements like good food, after parties, live shows, fun guests and a lot of press presence.

Matthew: What are the qualifications for the selected films?

Aviel: Originality and good execution

Matthew: Do you think that some films really don’t get a fair shake from film festivals? And if so, why?

Aviel: I think that many film festivals care about big names.. that’s a pity really.

We do our best not to discriminate unknown artists and also on the other side to give a fair chance to filmmakers who did a video for famous musicians. In Berlin we have a lot of social pressure not to let those in but we always remember that behind the music video could be a young filmmaker that had his first chance to make a video for a big musician. So if the video is good we won’t exclude him but at the same time we rejected many big names before.. the fame plays no role for us. If you take a look at our previous selections.. we have Bob Dylan, Katy Perry, Cold Play and other big artists who were nominated but in the end most of them lost. Popularity plays no role for us.

Matthew: What motivates you and your team to do this festival?

Aviel: To do something unique

Matthew: How has the festival changed since its inception?

Aviel: We really grew fast.

In the first year we had 1000 guests and this year we expect 8000 (4th edition). We have better prizes and a bigger press exposure for the winners. The venues are bigger and we work with more professionals.

Matthew: Where do you see the festival by 2020?

Aviel: The real question for us is where do we see our nominees in 2020. We really hope that what we do will push them to go far, we want them all to get good job offers and keep making music videos.

Matthew: What film have you seen the most times in your life?

Aviel: I will refer this quetsion to music videos.

I think that the music videos that i watched really many times are the ones that we are getting as submissions and specifically the winners. I view them over and over again before they get nominated and then maybe 50 more times afterwards (and try to compare them to the others, which is very difficult) just to make sure that we don’t do any mistakes with the selection.

Matthew: In one sentence, what makes a great film?

Aviel: A great music video is a music video where the crew went with it all the way without a safe play (but that’s just my personal opinion).

Matthew: How is the film scene in your city?

Aviel: The independent scene in Berlin is pretty good but not really many big productions, especially not around music videos.

Originally our festival was supposed to be a local festival and our goal was to develop the local scene but in the end we received so many international good videos and changed our mind very quick.

***

Interviewer Matthew Toffolo is currently the CEO of the WILDsound FEEDBACK Film & Writing Festival. The festival that showcases 10-20 screenplay and story readings performed by professional actors every month. And the FEEDBACK Monthly Fesival held in downtown Toronto on the last Thursday of every single month. Go to www.wildsound.ca for more information and to submit your work to the festival.

Movie Review: ZOOLANDER 2 (USA 2016) ***

Deadlines to Submit your Screenplay, Novel, Story, or Poem to the festival: http://www.wildsound.ca

zoolander_2ZOOLANDER 2 (USA 2016) ***
Directed by Ben Stiller

Starring: Ben Stiller, Owen Wilson, Penélope Cruz, Will Ferrell, Kristen Wiig, Christine Taylor

Review by Gilbert Seah

ZOOLANDER and ZOOLANDER 2 are milder versions of Sasha Baron Cohen’s BRUNO which are still pretty wild for most audiences unfamiliar with films like these that satirize the fashion/modelling industry.

It took a while, 15 years, since the first ZOOLANDER (2001) also directed by Ben Stiller hit the screens. It has been a long wait – the stars have grown older, and the plot makes use of the fact. Whatever goes on in the movie does not make much sense, but famous pop stars are being killed as they are protecting the Chosen One. “You can’t kill us all.” utters Justin Bieber, the 6th pop star killed in a year, before he kicks the bucket after posing on Instagram. Even Madonna has struck her last pose! Who is the Chosen One and who is the villain? As outrageous as the plot is, the twist is even more outrageous than anything found in any film in a while. Hilarious? It is in a way if one sits back and ponder over what has occurred. The script, by no less than 4 writers including Stiller, Justin Theroux (the writer of AMERICAN PSYCHO who also appears in the film as an evil DJ) is actually hilarious, though it might not seem so on first appearance. Perhaps ZOOLANDER 2 should be seen a second time to digest the mayhem on screen.

So, the not-so bright Zoolander (Stiller) is drawn out of recluse together with fellow model, Hansel (Owen Wilson). The villain is Mugatu (Will Farrell hamming it up, the most he can ever muster), engineering his escape from fashion prison. (Don’t ask!)

Not everything is original in the film. A lot of the jokes are similar to ZOOLANDER 1 and the ending sexy cat fight between two beauties, Penelope Cruz and Milla Jovovich, to the delight of all the males watching is way too similar to the scene from the French film (that did not get released here), OSS 117 NEST OF SPIES, directed by THE ARTIST’s Michel Hazanavicius.

The star cameo list is staggering. They include Bieber and real life fashion icons, Valentino, Vera Wang, Marc Jacobs, Tommy Hilfiger and Anna Wintour. The trouble is that these icons are not immediately recognizable, but their names are emphasized at least so audiences know who they are. Of the recognizable star cameos, Susan Sarandon (doing a ROCKY HORROR PICTURE SHOW routine), Milla Jovovich, Macaulay Culkin, Billy Zane, Katy Perry, Sting and Neil deGrasse Tyson strut their stuff, all playing themselves. But the best of these belong to Benedict Cumberbatch who surprises as he plays All, a transgender looking super model so full of himself that he marries himself.

ZOOLANDER 2 plays like a spy spoof as well as a satire of the fashion/model industry. Hate it or love it, my partner best described the film as “not that funny but sill entertaining.” Yes, and the film has lots of energy! But audiences not in the know might be totally bewildered at the goings-on!

Also, Free logline submissions. The Writing Festival network averages over 95,000 unique visitors a day.
Great way to get your story out: http://www.wildsound.ca/logline.html

Deadlines to Submit your Screenplay, Novel, Story, or Poem to the festival:http://www.wildsound.ca

Watch recent Writing Festival Videos. At least 15 winning videos a month:http://www.wildsoundfestival.com

Part 4: Best of Romance Feature Film Movie Pitches

Part 5: Best of Romance Feature Film Movie Pitches

WILDsound Announces its February 2016 Feature Screenplay Winners

WILDsound Festival's avatarWILDsound Festival

Watch the winning feature screenplay performance readings for February 2016.

Script #1 – HENRIETTA’S ODYSSEY by L R  Whittinger

http://www.wildsoundfestival.com/henriettas_odyssey.html

SYNOPSIS:

Genres: Action, Adventure, Comedy, Family, Fantasy

To save her Henrietta’s life, she is left on an earthling’s doorstep by Geegle one of the most untrustworthy characters in the plot. It so happens she is left on the wrong doorstep. She falls into the hands of the greedy Fritzgrumpy’s and becomes their slave. After Henri discovers she is a foundling and her supposed parents were only interested in being paid for looking after her. Her life turns upside down. Eanie Meanie saves Henri aided by with Geegle. So she can to find her way back to her real place in time and space. However, the Black Cardinal who has taken her rights away wants her dead.

CAST LIST:

NARRATOR – Susan Wilson
HENRI – Amanda Pereira
EANIE/ARTHUR – Gabriel Darku

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Interview with Festival Co-Director Maria Nicolacakis (San Francisco Greek Film Festival)

13th Annual San Francisco Greek Film Festival,

October 15-22, 2016

www.grfilm.com

Interview with the Festival Director Maria Nicolacakis:

Matthew Toffolo: What is your Film Festival succeeding at doing for filmmakers? 

Maria Nicolacakis: Our film festival is one way Greek filmmakers can get their work out to the world.  Greece is a small country with a suffering economy right now, and our film festival is a great opportunity to reach new audiences and networks.

Matthew: What would you expect to experience if you attend the festival this year (2016)? 

Maria: 2016 marks our 13th year.  Every year, we strive to present a diverse selection of current feature films, shorts, and documentaries.  This means different genres and themes, as well as different budgets.  Some of the films we show have well known actors, directors and producers, and a bigger budget, while others (most of them) are on a shoestring budget with up and coming names.  It’s amazing to compare the average cost of a Hollywood film to that of an average Greek film; it’s night and day.  The past several years we have brought filmmakers to our festival, which is always a very fun and engaging experience for the audience, and we expect to do that again this year.  Stay tuned!

Matthew: What are the qualifications for the selected films? 

Maria: We showcase contemporary work by filmmakers who are Greek or of Greek descent.  Beyond that, we look at the pool of entries every year, and as mentioned above, we aim to choose a diverse selection of films.  We personally screen all of the hundreds of entries we receive every year.

 

Matthew:  What motivates you and your team to do this festival? 

Maria: I am a child of Greek immigrants and my team members are Greeks from Greece who moved to the U.S. many years ago.  We all love Greece and we love Greek Film, and we want to provide this wonderful art form to the broader community.  It’s a way to preserve our culture.  Additionally, all proceeds from our film festival benefit the Modern Greek Studies program at San Francisco State University.

Matthew: How has the festival changed since its inception? 

Maria: I would have to say technology.  Not needing to physically receive and ship film reels around the world has been a huge savings in time and cost.  FilmFreeway has been great!  Also, we’ve made changes to our website and now use an online ticketing service.  Our numbers across the board have also steadily increased:  the number of films that are submitted annually, the attendees, and donors.

Matthew:  Where do you see the festival by 2020? 

Maria: That’s only four years away!  We would love to continue to grow our festival and expand it to more locations in the San Francisco Bay Area and the Central Valley.

Matthew:  What film have you seen the most times in your life? 

Maria: Dead Poets Society.  I was obsessed with Thoreau quotes when I was younger.  In terms of Greek films, growing up in the 80s, Greek comedian Stathis Psaltis was my absolute favorite.  My brother and I watched his comedies over and over!

Matthew:  In one sentence, what makes a great film? 

Maria: A great film reflects the human experience, both good and bad, and takes your breath away while leaving you hopeful at the same time.

Matthew:  How is the film scene in your city? 

Maria: San Francisco is a world-class city with a wonderful film scene.  There are numerous film festivals here and in the surrounding Bay Area, as well as a fantastic International Film Festival.

 

Thank you very much for the interview!

13th Annual San Francisco Greek Film Festival,

October 15-22, 2016

www.grfilm.com

 

 

_____

Interviewer Matthew Toffolo is currently the CEO of the WILDsound FEEDBACK Film & Writing Festival. The festival that showcases 10-20 screenplay and story readings performed by professional actors every month. And the FEEDBACK Monthly Fesival held in downtown Toronto on the last Thursday of every single month. Go to www.wildsound.ca for more information and to submit your work to the festival.